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Interview with The London Adventist
Chorale


The London Adventist
Chorale was formed in 1981 to present quality music
with a diverse repertoire to a broad audience. Since
winning the prestigious title Sainsbury Choir of Year
in 1994 the Chorale, under the leadership of Ken Burton,
has taken its own brand of spirituals, classical masterpieces,
traditional hymn arrangements and contemporary gospel
music to wider audiences at home and abroad.
How did it feel performing in front of millions of
nationwide viewers in Choir of the Year?
It was a most exciting and memorable experience. The
choir sees its purpose as proclaiming the "good
news", through music, to as many people as possible.
The event opened so many doors and that was undoubtedly
due to the national television exposure. What did it
feel like when you won the competition?
At first, it was an emotional roller-coaster for me
personally as
I actually had two choirs in the final. Naturally there
would be disappointment for one or both, and I have
to share in that. I know, however, that the singers
of the choir were elated; I think there were more tears
shed from the men than from the ladies!
What did your choir learn through taking part?
The whole purpose of getting the choirs involved in
Choir of the Year was to learn from others - be they
judges, or other choirs. The competition gave us an
opportunity to learn new disciplines and ideas for repertoire;
in watching other choirs take on different types of
music, we saw so much that we as a choir could aspire
to.
Did winning change anything for the choir?
It gave the choir a confidence boost, though we
were very careful to not let that become an 'ego' boost.
When you win a competition like this you see yourself
as having a responsibility to always perform at your
very best - in other words, never give anybody reason
to say 'how on earth did this choir end up winning?'.
Hence, the overall standard of singing changes and becomes
more consistent. The diary became extremely full after
winning, with many more broadcasts and concert performances.
Are there still many current members in the choir who
took part in Choir of the Year?
Around forty percent of those who took part still sing
with the choir.
What are your plans with the choir in the next coming
years?
The choir has been involved with the Kijani Kenya music
festival which raises funds for HIV/AIDS and conservation
projects. We are hoping to establish strong musical
ties as well as raise funds to build a music room for
the only secondary school the Naivasha region.
You composed 'Let the Sound of Freedom' for a project
with the choir of St John's Cambridge. Can you tell
me a bit about the piece and the idea behind it?
I was commissioned to write a work for two choirs (St
John's and LAC) for a BBC broadcast in 2007 as part
of the bicentenary of the abolition of the transatlantic
slave trade. The juxtaposition of the two choral genres
worked successfully and it was recorded at St John's
College chapel last year.
I see that the choir often perform from memory; do
you believe that this is fundamental to creating a better
performance?
Internalising the music, believing what you are singing,
remembering that you are not singing for yourself but
communicating to others - this is the essence of good
performance. Sometimes it's necessary to use scores,
and there are choirs which do not have the opportunity
to learn everything by memory (e.g. a chapel choir singing
every day). If the scores become your audience, the
performance suffers. If they don't get in the way, then
one can still give a heartfelt, effective delivery of
the song.
Finally, in brief, what would you say to choirs who
wish to take part in Choir of the Year, and do you have
any advice?
Firstly, go ahead and submit the application form. Regardless
of how far in the competition a choir may reach, at
every stage there will be valuable choral education
and a great day out. It will focus singers, and improve
the overall standard. So many choirs feel they may not
be good enough - as did many singers in the London Adventist
Chorale when it first entered the competition in 1990,
where it ended up a runner up.
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Ken Burton
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